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To compensate, a film camera makes use of a particular anamorphic lens that compresses a 16:9 picture onto the 4:3 film. Therefore a typical frame of a film is likely to be 24mm by 18mm -- it has an side ratio of 4:3 when shot. This is way wider than the 4:Three aspect ratio of the movie. For example, in "The Patriot," a hundred and fifty of the shots within the film required visible results. The rolls of movie for these shots are despatched to CFX to be scanned. The machine room at CFX reveals just how extensive the hardware investment is. The workhorses at CFX are a group of SGI Onyx machines. There can also be a Linux render farm formed out of dozens of Pc desktop machines. Individual artists need high-end desktop machines to work on and render their particular person models and layers. A great part of the R&D course of for this film concerned the creation of the individual troopers and then teams of troopers that may look real looking and convincing in the film. The workforce then uses what it creates during the R&D course of to control the photographs it is chargeable for. All of the pictures of "The Patriot" collectively devour 1.6 terabytes (trillions of bytes) of disk area.